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Andrew W.

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Average rating of 5.0 out of 5 based on 2 reviews
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Andrew is a commercial photographer and photojournalist based in and around Chicago. His background in graphic design and art direction directly informs his work—he considers how images will be used within a design and the overall art direction and creative strategy. He has photographed product and marketing imagery for DoorDash, covered national news with SOPA Images—a globally recognized wire service—and produced commercial and corporate imagery for clients across industries including automotive, industrial design, manufacturing, and beyond.

Whether in fast-moving, high-pressure environments or a commercial studio, he approaches each assignment with intent, creating images that serve their purpose and fit seamlessly into the broader visual language.

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camera

Nikon D7100 | Nikon D810

lens

Nikon AF-S NIKKOR 35mm f/1.8G ED | Nikon AF-S NIKKOR 50mm f/1.8G | Nikon AF-S NIKKOR 85mm f/1.8G | Nikon AF-S Nikkor 50mm f/1.4G | Nikon 55-200mm f/4-5.6 | Nikon 80-200mm f/2.8 | Tamron 24-70mm f/2.8 | Nikon AF-S NIKKOR 85mm f/1.8G | Nikon AF-S NIKKOR 35mm f/1.8G ED | Nikon AF-S Nikkor 50mm f/1.4G | Nikon AF-S NIKKOR 50mm f/1.8G | Tokina AT-X 17-35 F4 PRO FX Nikon

Portrait

Real Estate

Product

Food

Sport

Automotive

Commercial

More about Andrew W....

What do you love about your job?

No two projects are the same. One day I might be covering a political demonstration as a photojournalist, the next I’m in a studio fine-tuning the details of a product shoot. Being a good photographer means being adaptable and quick on your feet, and I love the challenge.

What types of shoots have you done and how did you make them special?

I’ve shot everything from fast-moving news events and political demonstrations to studio productions and commercial campaigns. What makes a shoot stand out isn’t just the subject but how I approach it—whether it's having to adapt to an unpredictable location shoot, fine-tuning details in the studio, or making sure images fit into a larger visual strategy. The best shoots are the ones that come together in a way that feels natural—even obvious—where you don’t see all the twists and turns it took to get there.

A fun fact about this photographer

I’ve shown up in major news broadcasts while covering protests and demonstrations—just another day at work.

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